![]() And that awkwardness of being in a position to be a hero is … That worked really well for him but it doesn’t work well for other actors. Because some of the first one was so much centered around him and about him, the awkwardness a little bit in him being a hero. If you have to, you have to have the cast to want to come back too because, otherwise, you have to tell a whole new movie. I had in my contract that I would do a sequel. Generally, I’m not a huge fan for sequels. "It depends on how the story is, I think. You can check out de Bont's full quote about the future of Speed below: ![]() De Bont also says that he would want the original cast of Speed to return as well. De Bont emphasizes that it all depends on the story, although he adds that he isn't usually a fan of making sequels. Jan de Bont, who directed both Speed and Speed 2, states in an interview with Collider that Speed 3 might still be a possibility. ![]() The director, Jan De Bont, has worked as a cinematographer on many action classics, including "Total Recall" and " Die Hard." Here he shows his own mastery, in a great entertainment.Related: Every Major Movie Role Keanu Reeves Turned Down Done as well as "Speed," they generate a kind of manic exhilaration. Done wrong, they seem like tired replays of old chase cliches. And Hopper's dialogue has been twisted into savagely ironic understatements that provide their own form of comic relief.įilms like "Speed" belong to the genre I call Bruised Forearm Movies, because you're always grabbing the arm of the person sitting next to you. He and Bullock have good chemistry they appreciate the humor that is always flickering just beneath the surface of the preposterous plot. That's why it's sort of amazing to see him so cool and focused here, a completely convincing action hero who is as centered and resourceful as a Clint Eastwood or Harrison Ford in similar situations. In fact, in his previous film, he played the mystical Prince Siddhartha, and generally he tends toward dreamy, sensitive characters. Keanu Reeves has never had a role like this before. All of this is of course gloriously silly, a plundering of situations from the Indiana Jones and Die Hard movies all the way back to the "Perils of Pauline," but so what? If it works, it works. But it has another surprise in store, a chase on a subway train, with Bullock held hostage and handcuffed inside one of the cars. When the bus episode finally ends, we sit back, drained, ready for the movie to end, too. Meanwhile, the story intercuts between Hopper, who is issuing ultimatums and dropping sinister hints, and Daniels, back at headquarters, who is using computers to try to figure out the blackmailer's identity. Bullock keeps her cool at the wheel while Reeves tries stunts like going under the bus to try to disarm the bomb while it continues to bounce along at high speed. The screenplay, by Graham Yost, piles on complications until the movie's very construction is a delight. Can a bus really leap a 50-foot space? This is the kind of movie where you don't ask questions like that. Reeves manages to get himself on board the bus, of course.Īnd after the driver is shot by a passenger, another passenger ( Sandra Bullock) grabs the wheel while Reeves tries to think a way out of the dilemma, and the bus cruises at 55 mph - in the wrong lanes, in the wrong directions, sideswiping other cars, causing accidents, and eventually ending up on an empty freeway that would provide clear sailing - if it weren't for a 50-foot gap in an overpass. This is an inspiration that will raise many questions for anyone who has ever been in L.A. traffic, but never mind: It provides the basis for an extended, suspenseful chase sequence that comes up with one ingenious crisis after another. He rigs an ordinary Los Angeles rapid transit bus so that if it exceeds 50 mph, a bomb will be armed - and then, if its speed falls below 50 mph, the bomb will explode. He wants not only the ransom money but also the satisfaction of humiliating the LAPD, and when he's outsmarted on the elevator caper, his next trick is truly diabolical. He's a former cop with a grudge, an intelligent man with a big bag of tricks who seems able to anticipate every one of Reeves' moves. The bomber is played by Dennis Hopper, the most dependable and certainly the creepiest villain in the movies right now. ![]()
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